Design of structural elements
1. Philosophy of design
1.1. Introduction
The task of the structural engineer is to design a
structure which satisfies the needs of the client and
the user. Specifically the structure should be safe,
economical to build and maintain, and aesthetic
ally pleasing. But what does the design process
involve?
Design is a word that means different things to
different people. In dictionaries the word is de
scribed as a mental plan, preliminary sketch, pat
tern, construction, plot or invention. Even among
those closely involved with the built environment
there are considerable differences in interpretation.
Architects, for example, may interpret design as
being the production of drawings and models to
show what a new building will actually look like.
To civil and structural engineers, however, design is
taken to mean the entire planning process for a new
building structure, bridge, tunnel, road, etc., from
outline concepts and feasibility studies through
mathematical calculations to working drawings
which could show every last nut and bolt in the
project. Together with the drawings there will be
bills of quantities, a specification and a contract,
which will form the necessary legal and organiza
tional framework within which a contractor, under the supervision of engineers and architects, can con
struct the scheme.
There are many inputs into the engineering
design process as illustrated by Fig. 1.1 including:
1. client brief
2. experience
3. imagination
4. a site investigation
5. model and laboratory tests
6. economic factors
7. environmental factors.
1.1 Introduction
The task of the structural engineer is to design a
structure which satisfies the needs of the client and
the user. Specifically the structure should be safe,
economical to build and maintain, and aesthetic
ally pleasing. But what does the design process
involve?
Design is a word that means different things to
different people. In dictionaries the word is de
scribed as a mental plan, preliminary sketch, pat
tern, construction, plot or invention. Even among
those closely involved with the built environment
there are considerable differences in interpretation.
Architects, for example, may interpret design as
being the production of drawings and models to
show what a new building will actually look like.
To civil and structural engineers, however, design is
taken to mean the entire planning process for a new
building structure, bridge, tunnel, road, etc., from
outline concepts and feasibility studies through
mathematical calculations to working drawings
which could show every last nut and bolt in the
project. Together with the drawings there will be
bills of quantities, a specification and a contract,
which will form the necessary legal and organiza
tional framework within which a contractor, under
The starting-point for the designer is normally
a conceptual brief from the client, who may be a
private developer or perhaps a government body.
The conceptual brief may simply consist of some
sketches prepared by the client or perhaps a detailed
set of architect’s drawings. Experience is crucially
important, and a client will always demand that
the firm he is employing to do the design has pre
vious experience designing similar structures.
Although imagination is thought by some to
be entirely the domain of the architect, this is not
so. For engineers and technicians an imagination
of how elements of structure interrelate in three
dimensions is essential, as is an appreciation of
the loadings to which structures might be subject
in certain circumstances. In addition, imaginative
solutions to engineering problems are often required
to save money, time, or to improve safety or quality.
A site investigation is essential to determine the
strength and other characteristics of the ground
on which the structure will be founded. If the struc
ture is unusual in any way, or subject to abnormal
loadings, model or laboratory tests may also be used
to help determine how the structure will behave.
In today’s economic climate a structural designer
must be constantly aware of the cost implications
of his or her design. On the one hand design should
aim to achieve economy of materials in the struc
ture, but over-refinement can lead to an excessive
number of different sizes and components in the
structure, and labour costs will rise. In addition
the actual cost of the designer’s time should not be
excessive, or this will undermine the employer’s
competitiveness. The idea is to produce a workable
design achieving reasonable economy of materials,
while keeping manufacturing and construction costs
down, and avoiding unnecessary design and research
expenditure. Attention to detailing and buildability
of structures cannot be overemphasized in design.
Most failures are as a result of poor detailing rather
than incorrect analysis.
Designers must also understand how the struc
ture will fit into the environment for which it is
designed. Today many proposals for engineering
structures stand or fall on this basis, so it is part of
the designer’s job to try to anticipate and recon
cile the environmental priorities of the public and
government.
The engineering design process can often be
divided into two stages: (1) a feasibility study in
volving a comparison of the alternative forms of
structure and selection of the most suitable type and
(2) a detailed design of the chosen structure. The
success of stage 1, the conceptual design, relies
to a large extent on engineering judgement and
instinct, both of which are the outcome of many
years’ experience of designing structures. Stage 2,
the detailed design, also requires these attributes
but is usually more dependent upon a thorough
understanding of the codes of practice for struc
tural design, e.g. BS 8110 and BS 5950. These many generations of engineers, and the results of
research. They help to ensure safety and economy
of construction, and that mistakes are not repeated.
For instance, after the infamous disaster at the
Ronan Point block of flats in Newham, London,
when a gas explosion caused a serious partial col
lapse, research work was carried out, and codes of
practice were amended so that such structures could
survive a gas explosion, with damage being con
f
ined to one level.
The aim of this book is to look at the procedures
associated with the detailed design of structural
elements such as beams, columns and slabs. Chap
ter 2 will help the reader to revise some basic the
ories of structural behaviour. Chapters 3–6 deal with
design to British Standard (BS) codes of practice
for the structural use of concrete (BS 8110), struc
tural steelwork (BS 5950), masonry (BS 5628) and
timber (BS 5268). Chapter 7 introduces the new
Eurocodes (EC) for structural design and Chapters
8–11 then describe the layout and design principles
in EC2, EC3, EC6 and EC5 for concrete, steel
work, masonry and timber respectively
documents are based on the amassed experience of